An architectural study photographed in the town of Tavira, centred on a weathered door marked with the number 48 set above an ornate architrave. The surface carries a faded magenta tone, softened by age and exposure.
Iron grilles inset within the panels introduce fine detail and repetition, contrasting with the broader planes of colour and stone. The composition is contained and frontal, allowing proportion, texture, and surface wear to define the image without emphasis on narrative or setting.
This photograph is presented as a fine art print on archival paper. Its strength lies in colour restraint, material detail, and quiet symmetry, encouraging close viewing and attention to surface rather than symbolism.
It works effectively as a standalone piece or alongside other architectural studies that examine doors and façades as records of time, use, and subtle variation.
An architectural study photographed in the town of Tavira, centred on a weathered door marked with the number 48 set above an ornate architrave. The surface carries a faded magenta tone, softened by age and exposure.
Iron grilles inset within the panels introduce fine detail and repetition, contrasting with the broader planes of colour and stone. The composition is contained and frontal, allowing proportion, texture, and surface wear to define the image without emphasis on narrative or setting.
This photograph is presented as a fine art print on archival paper. Its strength lies in colour restraint, material detail, and quiet symmetry, encouraging close viewing and attention to surface rather than symbolism.
It works effectively as a standalone piece or alongside other architectural studies that examine doors and façades as records of time, use, and subtle variation.
