An architectural study photographed in the town of Tavira, centred on an aged door whose surface carries the visible effects of time and exposure. Layers of green paint have lifted and fractured, revealing underlying textures and irregularities that define the image.
The composition is close and contained, allowing attention to settle on material detail rather than context. Light is soft and even, emphasising surface, colour variation, and wear without dramatization. The door is presented as an object shaped by duration rather than by use.
This photograph is presented as a fine art print on archival paper. Its strength lies in texture, patina, and restraint, encouraging close viewing and an appreciation of gradual change rather than narrative.
It stands comfortably on its own or alongside other works that examine architectural surfaces as records of time, weather, and quiet endurance.
An architectural study photographed in the town of Tavira, centred on an aged door whose surface carries the visible effects of time and exposure. Layers of green paint have lifted and fractured, revealing underlying textures and irregularities that define the image.
The composition is close and contained, allowing attention to settle on material detail rather than context. Light is soft and even, emphasising surface, colour variation, and wear without dramatization. The door is presented as an object shaped by duration rather than by use.
This photograph is presented as a fine art print on archival paper. Its strength lies in texture, patina, and restraint, encouraging close viewing and an appreciation of gradual change rather than narrative.
It stands comfortably on its own or alongside other works that examine architectural surfaces as records of time, weather, and quiet endurance.
