A landscape photographed from the hills above Devil’s Dyke, looking west as the light lowers toward sunset. The land is held in broad bands of green, while the sky settles into warmer tones as the sun drops behind the distant hills.
The composition is structured around horizon and proportion, with colour transitioning gradually rather than dramatically. Attention remains on alignment, depth, and the way light shifts across land and sky without drawing focus to any single element.
This photograph is presented as a fine art print on archival paper. Its restrained palette and open structure encourage slower viewing, with emphasis on tonal balance and spatial clarity.
It works effectively as a standalone image or alongside other landscape works that explore elevation, horizon, and the quiet change of light across the South Downs.
A landscape photographed from the hills above Devil’s Dyke, looking west as the light lowers toward sunset. The land is held in broad bands of green, while the sky settles into warmer tones as the sun drops behind the distant hills.
The composition is structured around horizon and proportion, with colour transitioning gradually rather than dramatically. Attention remains on alignment, depth, and the way light shifts across land and sky without drawing focus to any single element.
This photograph is presented as a fine art print on archival paper. Its restrained palette and open structure encourage slower viewing, with emphasis on tonal balance and spatial clarity.
It works effectively as a standalone image or alongside other landscape works that explore elevation, horizon, and the quiet change of light across the South Downs.
