A triptych composed along the Algarve shoreline, focusing on small-scale detail rather than horizon or distance. Each panel examines a different arrangement of sand, pebbles, shells, and wet surface, with the sequence forming a quiet progression across the shore.
The images are linked through texture and repetition. Reflections, granular surfaces, and subtle tonal shifts mirror the rhythm of the tide without describing it directly. The emphasis is on pattern, variation, and the incidental order left by water as it recedes.
This work is presented as a triptych fine art print on archival paper. Viewed together, the three panels establish a measured visual rhythm, encouraging the eye to move slowly across surface and detail rather than settling on a single focal point.
The triptych format allows the work to function as a unified whole, where continuity and restraint take precedence over narrative or scale. It can be displayed as a closely aligned sequence or with slight spacing, depending on context and size.
A triptych composed along the Algarve shoreline, focusing on small-scale detail rather than horizon or distance. Each panel examines a different arrangement of sand, pebbles, shells, and wet surface, with the sequence forming a quiet progression across the shore.
The images are linked through texture and repetition. Reflections, granular surfaces, and subtle tonal shifts mirror the rhythm of the tide without describing it directly. The emphasis is on pattern, variation, and the incidental order left by water as it recedes.
This work is presented as a triptych fine art print on archival paper. Viewed together, the three panels establish a measured visual rhythm, encouraging the eye to move slowly across surface and detail rather than settling on a single focal point.
The triptych format allows the work to function as a unified whole, where continuity and restraint take precedence over narrative or scale. It can be displayed as a closely aligned sequence or with slight spacing, depending on context and size.
