An architectural study photographed in the town of Tavira, centred on a dark green antique door set within an ornate architrave. The door occupies the frame with a contained, frontal presence, its surface defined by age, depth of colour, and subtle wear.
Surrounding the doorway, traditional Portuguese azulejos introduce pattern and rhythm, contrasting the solidity of the door with finer decorative detail. The composition is structured around the relationship between painted surface, tile, and architectural frame rather than place or narrative.
This photograph is presented as a fine art print on archival paper. Its restrained palette and attention to material detail encourage closer viewing, with emphasis on surface, repetition, and the quiet dialogue between architectural elements.
It stands comfortably on its own or alongside other works that explore doors, façades, and vernacular architecture as records of time and craft.
An architectural study photographed in the town of Tavira, centred on a dark green antique door set within an ornate architrave. The door occupies the frame with a contained, frontal presence, its surface defined by age, depth of colour, and subtle wear.
Surrounding the doorway, traditional Portuguese azulejos introduce pattern and rhythm, contrasting the solidity of the door with finer decorative detail. The composition is structured around the relationship between painted surface, tile, and architectural frame rather than place or narrative.
This photograph is presented as a fine art print on archival paper. Its restrained palette and attention to material detail encourage closer viewing, with emphasis on surface, repetition, and the quiet dialogue between architectural elements.
It stands comfortably on its own or alongside other works that explore doors, façades, and vernacular architecture as records of time and craft.
